sistawendy: me in C18-inspired makeup looking amused (amused eighteenthcent)
sistawendy ([personal profile] sistawendy) wrote2025-07-25 06:43 am
Entry tags:

Happiness...

...is making plans to go out in the next few weekends right before bed.

Oh: As alert readers know, an awful lot of the art on the walls here at the Devil Girl House could be — indeed, has been — called pornographic. I need to call MasterCard and Visa about how they've caved to anti-porn campaigners because
  1. I want to support artists who make it.
  2. I want to buy there art without going to ridiculous lengths.
  3. My very existence could be deemed pornographic, as could that of any trans or other queer person.
sistawendy: me looking confident in a black '50s retro dress (mad woman)
sistawendy ([personal profile] sistawendy) wrote2025-07-23 11:56 am
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Nun gets some culchah.

The Tickler took me to see "Koyaanisqatsi" with the Philip Glass Ensemble performing the score live at Benaroya Hall here in Seattle. In brief: recommended!

Our seats were at the back near an aisle, so we got to see a lot of the crowd as they entered. It was more of a fashion show than you'd expect from Seattle. These symphony goers, who I assume tend toward the het and normie if nerdy, put an awful lot of local gay bars to shame in terms of style.

But! The actual music! I'd seen "Koyaanisqatsi", gosh, how long ago? I'm not completely sure it was even this century, and it was only once. But I remembered liking it, which was one reason why I said yes to the Tickler. Hearing it live in a symphony hall with a mighty sound system and perfect acoustics, well, "mind-blowing" doesn't really do it justice.

For those who don't know, "Koyaanisqatsi" is a "documentary without words", i.e. an art film, released in 1982 about modern life and its excesses. The name is Hopi for, among other things, "crazy life". The soundtrack is by big deal Philip Glass, and fits the material uncannily well with its repetitive, minimalist style.

I like to think my mother would have approved. I mean, it was a symphony concert, even if Glass wasn't her jam. I'm not even sure she was familiar with him. I'd love to call her and talk about it, but that hasn't been an option for a while now.

Bonus: I ran into [personal profile] gfish on the train home! Yeah, he was there for the concert too, natch. I hadn't seen him in years, but he gave me reason to believe that I may be seeing more of the Agorans in the next few months. May, he was careful to emphasize.
sistawendy: me in the Mercury's alley with the wind catching my hair (smoldering windblown Merc alley)
sistawendy ([personal profile] sistawendy) wrote2025-07-21 01:53 pm
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weekend summary

The Tickler came! There were spendy birthday eats at Le Coin, but I don't regret anything just yet. They did the (ahem) things they often do when they come up here. Made In House has reopened after remodelling, therefore more eetz on Sunday afternoon. Happiness.
sistawendy: me in my nun costume with my duster cross, looking hopeful (hopeful nun)
sistawendy ([personal profile] sistawendy) wrote2025-07-19 05:09 pm
Entry tags:

an un-munch

I went to the leather dyke munch at CC's yesterday evening, and discovered that it wasn't officially happening. CC's was hosting a private event whose theme was Studio 54.

But! Not to be deterred, organizatrices B&A had set up an unofficial munch in an out-of-the-way part of the bar. There were no bootblacks, to the disappointment of two of us with scuffed boots including me. Nevertheless, there was queer & kinky conversation be had, and meeting of peeps. Rather good, even if once again I was way older than nearly everyone there. (If I remember correctly B is 12 years younger than I am, and they're the next oldest.)

Oh: apparently the Cuff may be a once and future leather bar. Its takeover by twinks or A-gays may have been temporary; I didn't quite follow everything that was going on.

I shall definitely return next month! With scuffed boots. Meanwhile, I await the arrival of the Tickler.
sistawendy: me looking confident in a black '50s retro dress (mad woman)
sistawendy ([personal profile] sistawendy) wrote2025-07-16 01:02 pm
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The United Sister Front advances.

So Good Sister asked a couple of days ago for the info that she'd need to set up a wire transfer. I got it to her, natch. It's so nice to talk to her on the phone when she's not stressing about something related to Mom, living or dead. The last time that happened was what, 2017?

And I even found something out about Evil Sister. She's moved out into the country, but she didn't change jobs, so now she's got a commute that's about 30 miles (50 km) each way. Even when I had a car I would have considered that bananas, but I'm a city girl to the bone.

And on the subject of big cities, here in the upper left corner of the coterminous US I'm preparing to visit the upper right corner: New York City. I've booked a COVID shot. I know that A-at-the-Merc told me that all the fun is in Brooklyn & Queens, but that's musical fun. The museums, queer stuff, and kinky stuff are still mainly in Manhattan, so I'm keeping my hotel reservation there. If, Goddess willing, the house closes and I suddenly end up with a fat stack of cash, I may spring for someplace nicer.

Besides, I'm not afraid to use a MetroCard should I feel a dire need to get to the outer boroughs*. But in truth, the one place far afield that I really want to go to is QXT's, a giant Goth joint in Newark, NJ. (!) A says it's the stuff, and I'm inclined to believe her. It's near a commuter train station, apparently, but more research is needed.



*That's right, kids, I'm hip to the Big Apple lingo.
cupcake_goth: (sparklefang)
cupcake_goth ([personal profile] cupcake_goth) wrote2025-07-16 12:37 pm

Still fangirling six days later

The MCR concert was amazing. They are performing the entire album of The Black Parade, but they've turned it into a weird theatre show with a different storyline than the usual album. The theme is kinda-sorta a fever dream of cold war Russia? With the band being state ordered performers to distract the masses? There's a mock election that the audience participates in, there's a "state official" who comes on stage to hand Gerard some sort of papers that Gerard rips up, there's fire, there's flashing lights, and it's all very weird and fantastic.

The band themselves were obviously having a fantastic time. Ray Toro (lead guitar) kept smiling all night, and Gerard was glorying in his punk rock theatre kid dream. And the sound for the show was some of the best mix I've heard at concerts. 

After they finished with The Black Parade, the encore was songs from their other albums, letting them flail around even more. The high points for me were "Heaven Help Us" (a b-side from The Black Parade), and my two favorite songs from their first album, "Our Lady of Sorrows", and "Vampires Will Never Hurt You". MY SONG THEY PLAYED MY FAVORITE SONG. I was hoping for "Thank You for the Venom", but the other three songs made up for it.

In other words, MY G-D the show was amazing, and I am ecstatic that I'm going to SF this weekend to see them a second time. 

(Oh, and Gerard is still cute. My precious rock star crush object!)